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The whole thing made much more sense once I knew the cycle that the product goes through from start to finish and it was much nicer to know where in the process my role was currently fitting in.
I attended a fit session for briefs in the afternoon. Most of the samples from AW10 is at the final gold seal stage so some initial fittings for SS11 were also carried out. There were a lot of things wrong with the initial buying samples from SS11 and the garment technician Sally, had to alter almost every brief that was fitted onto the model. Once the garment had been pinned to demonstrate the correct measurements, the garment was photographed and emailed to the supplier along with detailed notes for adjustments.
Finally, the designer that impressed me the most was Samantha Tretton. She had an all round excellent collection, everything from the decision of the colour palette to the final runway styling was perfect. The little touch that made her stand out from the rest of the designers was her quirky styling idea. Each model was styled with a vintage case which they carried in their left arm, all cases were differently sized and shapes from an old battered hat box to a vintage guitar case. The idea was really exciting and interesting and I was really pushing for her during conversations later in the evening.
After the runway show was over, we were invited to a VIP reception afterwards where I had the opportunity to talk to buyers and designers from a whole host of other companies, hoping to get any kind of work experience. I spoke briefly to model Sophie Anderton and managed to gain a contact in Tesco and Nichole de Carle. Probably the most exciting opportunity came from speaking to people from Elle Macpherson and Victoria's Secret who could offer work experience and paid internships all over the world.